User manual ZOOM G7.1UT

[. . . ] Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. SAFETY PRECAUTIONS Usage Precautions SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this Warning symbol and handle the device the wrong way, serious injury or death could result. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result. Warning Caution Contents SAFETY PRECAUTIONS Usage Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] For details, see the next page. LCD 2/26 ¡Contrast:1 Contrast:1 The live performance algorithm is selected for 50 ZOOM G7. 1ut ZOOM G7. 1ut 51 Linking Effects STACK R Linking Effects 3. Using the Amp Select Function The G7. 1ut incorporates an Amp Select function that optimizes the frequency response to match a the type of amplifier in use. When starting to use the G7. 1ut or when changing the guitar amp, you should choose a suitable Amp Select setting as described below. This setting is suitable when using the POWER INPUT on the rear panel of a Marshall stack amp. Turn parameter knob 1 to select "Befr" (before pre-amp section) or "Aftr" (after pre-amp section). 2. Turn parameter knob 2 to select "Pre" (before MOD/EFX2 module) or "Post" (after DELAY module). 3. 4. When the setting is complete, press the [EXIT] key. The indication "Store. . . ?" appears on the display, to allow you to store the changes. In the above condition (while "Store. . . ?" is shown), only the [STORE/SWAP], [EXIT], and [PAGE] keysp are active. By pressing the [EXIT] key, you can abort the changes and return to play mode without saving. When the setting is complete, press the [EXIT] key. 27). 4. Changing the insert position of the pre-amp section NOTE · When the "Pre" setting is selected as pre-amp section insert position, the signal after the MOD/ EFX2 module is processed entirely in stereo. When you select "Post", the signal is processed in the pre-amp section in mono. · The pre-amp section insert position applies to both the A and B channel. Choosing a different setting for the two channels is not possible. NOTE The Amp Select feature is disabled for patches where the CABINET module is set to on. This is because the PRE-AMP module algorithm for direct recording will be automatically selected when the CABINET module is on. To change the insert position of the pre-amp section, call up the Chain parameter and set it to "Pre" (before MOD/EFX2 module) or "Post" (after DELAY module). The Chain parameter can be used with all effect types of the PRE-AMP module. 1. In play mode, press the [AMP SELECT/SYSTEM] key. Changing the insert position of the pre-amp section and WAH/EFX1 module The G7. 1ut allows you to change the insert position of the four modules making up the preamp section (ZNR, PRE-AMP, EQ, CABINET) and the WAH/EFX1 module. This will result in changes to the effect action and tone. Changing 1. In play mode, manual mode, or edit mode, press the [PRE-AMP] key. The display changes as follows. The module lineup with different settings for the WAH/EFX1 module and pre-amp section insertion position is shown below. AMP Select 1/26 ¡FRONT FRONT 2. Turn parameter knob 1 to select one of the following settings. Chain Post Parameter value oe­ø­­­ ­oe­oeµµ Parameter name FRONT This is the standard setting for using the GUITAR INPUT on the front of the guitar amp. COMBO R1 the insert position of the WAH/EFX1 module This setting is suitable when using the POWER INPUT on the rear panel of a Roland JC-120 guitar amp. COMBO R2 To change the insert position of the WAH/EFX1 module, call up the Position parameter and set it to "Befr" (before pre-amp section) or "Aftr" (after pre-amp section). The Position parameter can be used when the Booster, Tremolo, or Octave effect type is not selected. Fig. 1 Pre-amp section = PRE, WAH/EFX1 = Befr Pre-amp section COMP WAH/EFX1 ZNR PRE-AMP EQ CABINET MOD/EFX2 DELAY REVERB Fig. 2 Pre-amp section = PRE, WAH/EFX1 = Aftr Pre-amp section COMP ZNR PRE-AMP EQ CABINET WAH/EFX1 MOD/EFX2 DELAY REVERB 1. 2. In play mode, manual mode, or edit mode, press the [WAH/EFX1] key. Turn the [TYPE] knob and select an effect type other than Booster, Tremolo, or Octave. Fig. 3 Pre-amp section = POST, WAH/EFX1 = Befr Pre-amp section This setting is suitable when using the POWER INPUT on the rear panel of a Fender combo amp. COMP WAH/EFX1 MOD/EFX2 DELAY ZNR PRE-AMP EQ CABINET REVERB Fig. 4 Pre-amp section = POST, WAH/EFX1 = Aftr Pre-amp section COMP MOD/EFX2 DELAY ZNR PRE-AMP EQ CABINET WAH/EFX1 REVERB 52 ZOOM G7. 1ut ZOOM G7. 1ut 53 Effect Types and Parameters Effect Types and Parameters How to read the parameter table Effect parameters 1 ­ 4 Effect module Effect type When this effect type is selected, the four parameters listed here can be adjusted with parameter knobs 1 - 4. Some effect parameters are adjusted with the knobs of the pre-amp section. WAH/EFX1 module This module comprises wah and filter effects as well as special effects such as ring modulator and octave. COMP module Attenuates high-level signal components and boosts low-level signal components, to keep the overall signal level within a certain range. Compressor This is an MXR Dynacomp type compressor. PARM1 PARM2 PARM3 PARM4 Sense 0 ­ 10 Adjusts the compressor sensitivity. Higher setting values result in higher sensitivity. Attack Fast, Slow Tone 0 ­ 10 Level 2 ­ 100 Selects compressor attack speed in two levels: Fast or Slow. Adjusts the tonal quality of the Adjusts the signal level after sound. [. . . ] Set the level as high as possible without causing the meter to reach the end of the scale. Instead change the recording level and gain settings at this unit. Go to beginning of project Play button 2. Use the button in the transport panel to move to the beginning of the project. 3. Click the Play button in the transport panel to start playback. NOTE · While the monitoring button is enabled, the direct signal input to this unit and the signal routed to the computer and then returned to this unit will be output simultaneously from this unit, causing a flanger-like effect in the sound. [. . . ]