User manual ZOOM G7

[. . . ] 9 Quick Guide 1 (Play Mode/Manual Mode Operation) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Quick Guide 2 (Edit Mode/Store Mode Operation) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Selecting Patches for Playing (Play Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 · Take care that no foreign objects (coins or pins etc. ) or liquids can enter the unit. Using the Function Foot Switch. . . . . . . . . . [. . . ] In the above condition (while "Store. . . ?" is shown), only the [STORE/SWAP] key, [EXIT] key, and [PAGE] key are active. By pressing the [EXIT] key, you can abort the changes and return to play mode without saving. 1. In play mode, press the [AMP SELECT/SYSTEM] key. The AMP SELECT/SYSTEM menu for parameters that apply to all patches appears. For some effect modules, you can select an effect type from several possible choices. For example, the MOD/EFX2 module comprises CHORUS, FLANGER, and other effect types from which you can choose one. The four-module series ZNR, PRE-AMP, EQ, and CABINET functions as a virtual preamplifier with two channels. The ZNR, PRE-AMP, and EQ modules can have different settings for channels A and B, allowing channel switching also within the same patch. the PRE-AMP module. When the G7. 1ut is connected to a guitar amp, this setting is recommended. When CABINET module is on The direct recording algorithm is selected for the PRE-AMP module. This algorithm optimizes the sound for reproduction via a system with flat response. When the G7. 1ut is connected to a recorder or hi-fi audio system, this setting is recommended. AMP Select 1/26 ¡FRONT FRONT 2. Turn the [TYPE] knob to bring up the indication "Contrast" (display contrast) on the display. Switching between live performance sound and direct recording sound The PRE-AMP module of the G7. 1ut comprises a total of 36 effect types. In addition, each of these effect types has two algorithms, one for live playing and one for direct recording. The respective algorithm is selected automatically, depending on the status of the CABINET module, as described below. When CABINET module is off PRE-AMP Algorithm for direct recording Algorithm for live performance EQ CABINET On Off NOTE When the CABINET module is off, the AMP SELECT function for matching the G7. 1ut to the amplifier in use is also available. passing the module. RackComp This effect type allows more detailed adjustment than "Compressor". PARM1 PARM2 PARM3 PARM4 Threshold AutoWah This effect varies wah in accordance with picking intensity. A-Resonance This effect varies the resonance filter frequency in accordance with picking intensity. The above two effect types have the same parameters. PARM1 PARM2 PARM3 PARM4 0 ­ 50 Adjusts the reference signal level for the compressor action. Ratio 1 ­ 10 Attack 1 ­ 10 Level 2 ­ 100 Adjusts the compressor attack Adjusts the compression ratio. speed. Adjusts the signal level after passing the module Limiter This is a limiter that suppresses signal peaks above a certain reference level. 2 ­ 100 Position Befr, Aftr Sense -10 ­ -1, 1 ­ 10 Resonance 0 ­ 10 Level PARM1 PARM2 PARM3 PARM4 This effect simulates a tape echo. The above two effect types have the same parameters. PARM1 PARM2 PARM3 PARM4 Threshold 0 ­ 100 HiDamp 0 ­ 50 Ratio 1 ­ 10 Time 1­ 2000 mS FeedBack 0 ­ 10 Mix 0 ­ 100 Adjusts the reference signal level for the limiter action. Adjusts the compression ratio of the limiter. Sets the delay time. Adjusts the amount of feedback. Adjusts the treble attenuation Higher setting values result in a of the delay sound. Lower higher number of delay sound setting values result in softer Adjusts the level of the effect sound mixed to the original 1 ­ 10 Adjusts the delay between the point where the signal level falls below the threshold level and the limiter release. Release Level 2 ­ 100 Adjusts the signal level after passing the module. DELAY module This is a delay module that allows use of the hold function. WAH/EFX1 module This module comprises wah and filter effects as well as special effects such as ring modulator and octave. Delay This is a long delay with a maximum setting of 5000 ms. AutoWah Tempo sync The note symbol ( ) in the table indicates that the parameter can be synchronized to the patch specific tempo. If you select the note symbol as value for the parameter when making the setting at the G7. 1ut, the parameter value will be synchronized to the patch specific tempo in note units ( p. 35). This effect varies wah in accordance with picking intensity. A-Resonance This effect varies the resonance filter frequency in accordance with picking intensity. The above two effect types have the same parameters. PARM1 PARM2 PARM3 PARM4 Expression pedal The pedal symbol ( ) in the table indicates that the parameter can be controlled with the built-in expression pedal. If you select the parameter as control target when making the setting at the G7. 1ut ( p. 30), the expression pedal will adjust the parameter in real time when the patch is selected. [. . . ] Move the fader of the master channel (as displayed in step 13) fully down. Raise If the Inspector is not shown, click here to toggle the Inspector show/hide setting. the fader of the master channel to obtain a suitable volume. Access the "File" menu and select "New Project". The new project window appears. Here you can select a project template. Make sure that the "Empty" template is selected, and click the OK button. A window for selecting the project file save location appears. Inspector (area for making detailed track settings) After specifying a suitable project file save location (such as the desktop), click the OK button (Choose button in MacOS X). A new project is created, and the project window for controlling most of the Cubase LE 4 operations appears. Select the input/output path for the track. (The path name assigned to the this unit in step 6 is shown here. ) To select a different path, click this section and select a new path from the menu that appears. The recording level for Cubase LE 4 can be checked with the level meter for the channel that is assigned to the recording standby track. [. . . ]