User manual ZOOM G3

[. . . ] Mich ael Amott Signature Editi on PAT C H L i s t PATCH NAME COMMENT PEDAL SETTING VOLUME Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product. This sound is along the lines of the main rhythm tone on “Yesterday Is Dead And Gone” (ARCH ENEMY – “Khaos Legions”, 2011). [. . . ] This sound is along the lines of the main rhythm tone on “Yesterday Is Dead And Gone” (ARCH ENEMY – “Khaos Legions”, 2011). This is a similar type of sound to the one that I use in the verses of “My Apocalypse” (ARCH ENEMY – “Doomsday Machine”, 2005). A similar clean tone to what I use on “Revolution Begins” (ARCH ENEMY - “Rise Of The Tyrant”, 2007). Blends very well together with patch “A8” in recordings. A heavy rhythm tone reminiscent of Arch Enemy’s early albums. The same great sound as the “B8” patch but with some room style reverb. A lead tone patch reminiscent of my lead tone on Carcass’ “Heartwork” album. A semi clean tone that works really well for 70’s style riffs and leads!Lead tone with tremolo effect you can control with the expression pedal. Yet another rhythm sound patch that can work well on it’s own or blending together with some of the other rhythm tones when recordings several guitar tracks. The scooping of the mids and high mids leaves bottom movement and a fuzzy top. mid-rangy semi-dirty tone with many peculiar anomalies and dimensions. If you double rhythms with Simphryt and then triple with Angus it's cool. Straight ahead crunchy rhythm tone with slight pitch shift for fatness. [. . . ] If you double rhythms with Simphryt and then triple with Angus it's cool. Straight ahead crunchy rhythm tone with slight pitch shift for fatness. Phased and clean with sharp attack that's good for smacking rhythms. [. . . ]