User manual ZOOM G2-1U

[. . . ] Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. SAFETY PRECAUTIONS Usage Precautions SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and Warning handle the device the wrong way, serious injury or death could result. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result. Caution Warning Contents SAFETY PRECAUTIONS Usage Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] When the pedal is fully pushed down, the parameter is at the value set in the patch. Minimum value "DOWN" Maximum value Control input USB interface PC interface: 16-bit (stereo configuration for recording/playback) Sampling frequency: 44. 1 kHz, 48 kHz Power requirements AC adapter9 V DC, 300 mA (center minus plug) (ZOOM AD-0006) Batteries Four IEC R6 (size AA) batteries, Approx. 7. 5 hours continuous operation (alkaline batteries) Dimensions 165 mm (D) x 255 mm (W) x 79mm (H) Weight 1100 g (without batteries) Options Expression pedal FP02/ Foot switch FS01 · 0 dBm = 0. 775 Vrms · Design and specifications subject to change without notice. 54 Max. 9 simultaneous modules User area: 10 patches x 4 banks Preset area: 10 patches x 4 banks 96 kHz 24 bit, 64 times oversampling 24 bit, 128 times oversampling 32 bit 20 Hz ­ 40 kHz +1 dB -3 dB (with 10 kilohms load) 2-digit 7-segment LED Parameter LEDs, Pedal assign LEDs Standard mono phone jack -20 dBm 1 megohm Standard stereo phone jack (doubles as line and headphone jack) Line: +5 dBm (output load impedance 10 kilohms or more) Phones: 20 mW + 20 mW (into 32 ohms load) For FP02/FS01 Minimum value "HIGH" Maximum value Troubleshooting No power Refer to "Turn power on" on page 8. Value set in patch Reverb effect does not operate "LOW" Value set in patch Minimum value While a rhythm pattern is playing, the reverb effect is not available. Be sure to use only adapter for 9 V DC, 300 mA with center minus plug (ZOOM AD-0006). The use of alkaline batteries is recommended. 34 ZOOM G2. 1u ZOOM G2. 1u 35 G2. 1u Preset Pattern # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 PatternName 8beat_1 8beat_2 8beat_3 8shufle 16beat_1 16beat_2 16shufle ROCK HARD METAL_1 METAL_2 THRASH PUNK DnB FUNK_1 FUNK_2 HIPHOP R'nR POP_1 POP_2 TimSig 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 # 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 PatternName POP_3 DANCE_1 DANCE_2 DANCE_3 DANCE_4 3per4 6per8 5per4_1 5per4_2 LATIN BALLAD_1 BALLAD_2 BLUES_1 BLUES_2 JAZZ_1 JAZZ_2 METRO_3 METRO_4 METRO_5 METRO TimSig 4/4 4/4 4/4 4/4 4/4 3/4 3/4 5/4 5/4 4/4 4/4 3/4 4/4 3/4 4/4 3/4 3/4 4/4 5/4 ZOOM CORPORATION ITOHPIA Iwamotocho 2chome Bldg. 2F, 2-11-2, Iwamoto-cho, Chiyoda-ku, Tokyo 101-0032, Japan Web Site: http://www. zoom. co. jp G2. 1u - 5000-1 G 2 . 1 u P at ch Li Please use patches "forguitarwdirectly touserecorar am p, and use patches "for Recording" st w hen you connect your Live" hen you a guitder. N a m e of pa tc h e s for L ive for R e c ordin g S e t t in g r e c o m m e n d a t io n o n p o p u la r g u it a r a m p s Marshall JCM-2000 In c a s e o f p a t c h e s f o r L iv eÅiA 0 Å`A 9 ÅA Å`b 9 Åj b0 EQUALISATION REVERB 6 4 28 10 0 2 4 6 8 4 10 0 10 6 4 OFF 82 0 2 010 46 8 10 6 8 OFF 4 D e s c ription s This patch is modeled after the powerful sound which uses the silicone rectifier section of that popular amplifier. You may want to play riffs and solos with this sound valued by heavy rock guitarists. Referenced album: "Hybrid Theory" by Linkin Park (2001) This sound features the high-quality sound of our G2's signal processing technology with a clean and lush chorus plus delay patch. Try to use it for accompaniments in pop music, or solo music with your favorite guitar. We have already started to call the sound of this UK rock band "traditional". This patch is modeled after the punchy sound of the overdriven JCM 800 amplifier and thus it is suitable also for the hard plucking of modern punk rock guitar style. This is the sound of Humble Pie in later years with Dave Clemson as its guitar player. Referenced album: "Smokin'" by Humble Pie (1972) We took advantage of a newly developed fast tracking pitch shift algorithm and created this simulated synthesizer sound. We hope you will come up with great solos using this sound reminiscent of Jan Hammer's exciting trades with Jeff Beck. Referenced album: "Wired" by Jeff Beck (1976) This patch is a straightforward modeling of the sound of that black-face Fender Twin Reverb and provides a clean sound that is indispensable for the ensemble. When you foot down the expression pedal and with the EFX module switched on, you can add a unique tremolo effect to get that retro-sound instantly. We have selected a room ambience as default to make this patch suitable for current musical style but, of course, you can replace it with the spring reverb simulation. Many people through the years have favored Carlos Santana's guitar sound. This patch is modeled specifically after his wailing lead sound with sweet distortion. Any of his hits like "Black Magic Woman", "Europe" or "Adouma" will sound pleasant if you make use of this patch. Referenced album: "Amigos" (1976) and "Shaman" (2002) by Santana This patch is suitable for funky chording, and using the pedal-wah effect. [. . . ] Set the level as high as possible without causing the meter to reach the end of the scale. Instead change the recording level and gain settings at this unit. Go to beginning of project Play button 2. Use the button in the transport panel to move to the beginning of the project. 3. Click the Play button in the transport panel to start playback. NOTE · While the monitoring button is enabled, the direct signal input to this unit and the signal routed to the computer and then returned to this unit will be output simultaneously from this unit, causing a flanger-like effect in the sound. [. . . ]