User manual ZOOM 1202

[. . . ] · Full stereo configuration--a first in this class-- creates rich, natural reverb sounds. Please take the time to read this manual carefully, in order to get the most out of your 1202 and to ensure optimum performance and reliability. Safety Precautions Please observe the following safety tips and precautions to ensure hazard-free use of the 1202. · Connecting cables and input and output jacks You should always turn off the power to the 1202 and all other equipment before connecting or disconnecting any cables. Also make sure to disconnect all cables and the AC adapter before moving the 1202. · Power requirements The 1202 is powered by the supplied AC adapter. Do not use any other kind of AC adapter to prevent malfunction and safety hazards. [. . . ] (Refer to the supplied preset program list. ) (4) OUTPUT control Serves to adjust the output signal level. (5) EQ LOW control (6) EQ HIGH control These controls serve to adjust the low and high frequency range of the effect signal. ZOOM STUDIO 1202 (7) Hall Chorus Room Flanger Plate Pitch Vocal Tremolo Ambience ZNR Orche. Cho+Rev Session Fla+Rev Studio Pit+Rev (8) (9) 1(Demo) 2 3 4 5 6 4 8 9 (10) (11) Echo Trem Echo Delay Pit Echo Reverse Fla Echo Power Cho Echo Gate Trem Rev Solo Pit Rev Drum Fla Rev Percus. Cho Rev A B BANK 16 15 14 13 12 11 10 ZOOM STUDIO 1 EDIT 2 EFFECTS PATTERN (3) (2) (1) EFFECT ON OFF FS01 R OUTPUT L R INPUT L MONO Rear Panel (1) INPUT connector Serves for connection of the sound source signal from an instrument, mixer send, etc. NOTE When wishing to use equipment with low output, such as a guitar, electric bass or microphone, a preamplifier or a mixer with an integrated preamplifier must be connected between the equipment and the 1202. (3) EFFECT OFF connector By connecting the optional foot switch FS01 to this jack, effects can be switched on and off externally. When OFF is selected, only the original signal is output, and the power LED on the front panel flashes in orange. (4) POWER (AC adapter) connector Serves for connection of the supplied AC adapter. When the AC adapter is plugged into an AC outlet, the 1202 will be automatically switched on. (2) OUTPUT connector Serves for connection to the return input of the instrument or mixer, or to the playback system. Specification Preset Programs: Program Controls: Effect EQ: Level & Mix Controls: Rear I/O: 512 (16 Effects 2 Banks; A/B 16 Patterns) 2 (EDIT 1, EDIT 2) HIGH, LOW INPUT, MIX ( 100% DRY -- 100% EFFECT), OUTPUT INPUTS (L/MONO, R) ; ­10dBm -- +4dBm / 7k (MONO), 14k (STEREO) OUTPUTS (L, R) ; ­10dBm -- +4dBm / 330 or more EFFECT OFF (with optional foot switch FS01) 2 channels, 16 bit Linear, 44. 1kHz, 64 times over sampling 2 channels, 16 bit , 44. 1kHz W 482 H 44 D 115 mm 1. 4 kg A/D Conversions: D/A Conversions: Dimensions: Weight: ZOOM STUDIO 1202 Setup Examples 1. Connection between instrument and playback system This example demonstrates the use of the 1202 as an instrument effecter. The MIX control should normally be set to the center position. Preamplifier, distortion processor, or similar INPUT L/MONO OUTPUT LR Amp Amp R 1202 2. Connection in send/return loop of a mixer This type of connection allows use of the 1202 for any instrument or sound source connected to the mixer. The MIX control should normally be turned fully clockwise. RETURN 1 L/MONO RLR 1202 INPUT SEND 1 SEND 2 SEND 3 OUTPUT RETURN 2 L/MONO RLR 1202 INPUT OUTPUT RETURN 3 L/MONO RLR 1202 INPUT OUTPUT 3. Successive use of two effect types When a compound effect (indicated by a / in the effect name) is selected, two types of effects can be used in series, as shown in this example. It is also possible to insert an external effecter between the first and second effect. Delay Preamplifier, distortion processor, or similar INPUT L/MONO RL OUTPUT R Amp 1202 4. Parallel use of two effect types When a compound effect (indicated by a / in the effect name) is selected, two types of effects can be used separately, as shown in this example. Preamplifier, distortion processor, or similar INPUT L/MONO R OUTPUT LR Keyboard Amp Guitar Amp 1202 ZOOM CORPORATION 2-10-2 Miyanishicho Fuchu-shi, Tokyo 183 Japan Tel: (0423) 69-7111. Fax: (0423) 69-7115. Printed in Japan 1202-5000 ZOOM STUDIO BANK A Effects Description Simulates a medium-sized concert hall Simulates an acoustically dead space such as a rehearsal studio EFFECT PROGRAM LIST Patterns Pattern 2­16: Variations with different reverb time 1: 2. 2Sec/2­16: 1. 0­3. 8Sec Pattern 2­16: Variations with different reverb time 1: 0. 7Sec/2­16: 0. 5­3. 3Sec Pattern 2­16: Variations with different reverb time 1: 4. 2Sec/2­16: 3. 0­9. 0Sec Pattern 2­16: Variations with different reverb time 1: 4. 5Sec/2­16: 1. 7­4. 5Sec Pattern 2­16: Variations with different reverb time 1: 1. 2Sec/2­16: 0. 6­3. 4Sec Pattern 2­16: Variations with different reverb time 1: 1. 5Sec/2­16: 0. 5­3. 3Sec Pattern 2­16: Variations with different reverb time 1: 1. 0Sec/2­16: 0. 6­3. 4Sec Pattern 2­16: Variations with different reverb time 1: 0. 9Sec/2­16: 0. 5­3. 3Sec EDIT 1 EDIT 2 1. Plate Reverb with rich bass Pre Delay 0 ­ 100mS High Mpy 4. Vocal Reverb for adding depth and suppleness, to vocals Pre Delay 0 ­ 100mS Attack 5. Ambience Reverb for brightening up the sound and adding depth Reverb with very wide sound stage and distinct body High Damp Density 6. Session Simulates a small, acoustically live room Simulates a large studio with high ceiling Diffusion High Cut 8. Studio Pre Delay 0 ­ 100mS High Cut * For each effect, pattern 1 is called DEMO (standard setting). [EDIT 1/2 Parameters] Diffusion: Attack: High Cut: Pre Delay: High Mpy: High Damp: Density: Adjusts the reverb spread. Adjusts the speed with which the high-frequency reverb components are attenuated. Adjusts the reverb density. ZOOM STUDIO BANK A Effects Description EFFECT PROGRAM LIST Patterns EDIT 1 EDIT 2 9. [. . . ] Pit/Rev Parallel effect with pitch shifter in the left channel and reverb in the right channel Rev Time 0. 5 ­ 3. 3Sec Rev Mix 28. Trem/Rev Parallel effect with tremolo in the Pattern 2­16: Variations with different modulation rate left channel and reverb in the 1: 3. 5Hz, Rev Time = 0. 7Sec right channel Parallel effect with chorus in the left channel and echo in the right channel Parallel effect with flanger in the left channel and echo in the right channel Pattern 2­16: Variations with different modulation depth 1: Delay Time = 185mS Pattern 2­16: Variations with different modulation rate 1: 0. 27Hz, DLY Time = 126mS Rev Time 0. 5 ­ 3. 3Sec Rev Mix 29. Pit/Echo Patterns 2­8 are negative pitch shift variations, and patterns 10­16 Parallel effect with pitch shifter are positive pitch shift variations. right channel 1: -5Semi Tone, DLY Time = 150mS Parallel effect with tremolo in the Pattern 2­16: Variations with left channel and echo in the right different modulation rate 1: 4. 62Hz, DLY Time = 161mS channel Delay Time 11 ­ 370mS Echo Mix 32. [. . . ]