User manual TRAYNOR YS1084

[. . . ] Do not place this product on an unstable cart, stand, tripod, bracket or table. The product may fall, causing serious personal injury and serious damage to the product. Use only with cart, stand, tripod, bracket, or table recommended by the manufacturer or sold with the product. Follow the manufacturer's instructions when installing the product and use mounting accessories recommended by the manufacturer. [. . . ] The Blue LED, located next to the Master Volume, will illuminate when the unit is turned on. The power switch is located at the back of the unit near the power receptacle. Tone controls include Gain, Bass, Lo-Mid, Hi-Mid and Treble, as well as a sweepable notch filter which eliminates most feedback generated by the guitar at high volumes. The 1/4-inch inputs are used for line-level signals from acoustic guitars (using an active pickup) or other `line-level' sources. The hybrid combi-jacks also accept microphones through the incorporated balanced XLR connector. Tone controls include Gain, Bass, Lo-Mid, Hi-Mid and Treble which enable great control of your equalization. Both channels have been designed with a flat frequency response, making them ideal for vocals, keyboards and drum machines. The channel inputs both XLR and 1/4-inch are balanced but can also accept unbalanced 1/4-inch cables. To reduce noise, it is advised that you use balanced cables for interconnection wherever possible. Tech Note: In order to power condenser microphones, phantom power is applied to devices connected with an XLR cable (15-volt for channel 2 and 48-volt for channel 3). Using a correctly wired XLR cable, phantom power is effectively invisible to balanced dynamic microphones and will not cause any damage. Blue LED and AC power connector Channel 1 Input ­ ¼-inch / XLR Combi-jack Channel 2 Input ­ ¼-inch / XLR Combi-jack Gain controls, Channels 1, 2 and 3 Tone controls, Channels 1, 2 and 3 ­ Bass, Lo-Mid, Hi-Mid and Treble Feedback Notch Filter control, Channels 1, 2 and 3 Digital Effects controls, Channels 1 and 2 Effects Bypass Switch for Channel 2 Digital Effects controls, Channel 3 Insert Jacks, Channels 1, 2 and 3 AUX Input ­ ¼-inch TRS phone jack Gain control for the Aux Input RCA Input ­ RCA connectors Ground LIft Switch Line Out (pre effects) ­ XLR jack Line Out (post effects) ­ ¼-inch TRS phone jack Footswitch ­ ¼-inch TRS phone jack Master Volume control The Gain controls are used to set the input level of your instrument. The clip LED can be used to gauge input level to avoid audible clipping. If clipping occurs, lower the signal by turning the volume down on your guitar or reducing the Gain control. All tone controls can be used to either boost or cut certain frequencies in your instrument's signal. change the Lo-Mid and Hi-Mid frequency controls to add clarity or reduce harshness. The Treble control can be adjusted to accentuate percussive sounds when using a light pick or to attenuate the sound of your fingers moving across the strings. Use the sweepable Feedback Notch filter to help eliminate feedback caused when the guitar is too close to the amp at higher volume levels. If feedback does occur, rotate the notch control slowly until the feedback is eliminated. To bypass this filter, rotate it fully counter-clockwise to the off position. Note: If feedback occurs when you are in close proximity to the guitar amp, the notch filter may not help. Therefore either reduce power or move the guitar farther away from the amplifier. [. . . ] The Master Volume control does not affect the signal however the individual channel's volume and Tone controls of Channels 1, 2 and 3 do. An optional footswitch, such as the dual-switch, latching APEX AFS2, can be used to bypass the built in effects for both channels (1/2) and 3 independently of each other. the Master control is used to increase or decrease the overall output of the Acoustic Master Custom. When the signal goes beyond the compressor's threshold, the volume will automatically be reduced. [. . . ]