User manual TRAYNOR YS1081

[. . . ] Do not place this product on an unstable cart, stand, tripod, bracket or table. The product may fall, causing serious personal injury and serious damage to the product. Use only with cart, stand, tripod, bracket, or table recommended by the manufacturer or sold with the product. Follow the manufacturer's instructions when installing the product and use mounting accessories recommended by the manufacturer. [. . . ] The High control can be adjusted to accentuate percussive sounds when using a light pick or to attenuate the sound of your fingers moving across the strings. Power switch, Blue LED and AC power connector / fuse holder Channel 1 Input ­ ¼-inch TRS phone jack Channel 1 Gain control Channel 1 Tone controls ­ Bass, Low-Mid, Hi-Mid and Treble Channel 1 Feedback Filter control Channel 1 Digital Effects controls. channel 2 Input ­ ¼-inch / XLR Combi-jack Channel 2 Gain control Channel 2 Tone controls ­ Bass and Treble Channel 2 Digital Effects controls. Master Volume control Effects Loop ­ ¼-inch TRS phone jacks AUX Input ­ RCA connectors Footswitch ­ ¼-inch TRS phone jack Stereo Line Out (post effects) ­ two ¼-inch TRS phone jacks (left and right) Mono Line Out (pre effects) ­ XLR jack Ground LIft switch Use the sweepable notch filter to eliminate feedback caused by the guitar being too close to the amp at higher power. If feedback does occur, rotate the notch control slowly until the feedback is eliminated. To bypass this filter, rotate it fully counter-clockwise to the off position. Please note that if feedback occurs when you are in close proximity to the guitar amp, the notch filter may not help. Therefore either reduce power or move the guitar farther away from the amplifier. From lush reverb to a swirling rotary speaker simulator, the Acoustic Master Standard uses a DSP (Digital Signal Processor) to create 16 custom Traynor effects. The Mix knob is used to blend in the required amount of the original, clean signal. The parameter that can be changed is listed for each effect on the plate found on the top of your amp. An optional footswitch can be used to bypass the Acoustic Master Standard's built in effects. Use a two-channel footswitch such as the Apex AFS2 to allow you to bypass channel 1 and 2 independently. This channel accepts line level signals from active acoustic guitars or other line level sources via 1/4-inch cables. To reduce noise, it is advised that you use balanced cables for interconnection wherever possible. In order to power condenser mics, a 15 volt phantom power is applied to devices connected with an XLR cable. Using a correctly wired XLR cable, phantom power is effectively invisible to balanced dynamic mics and will not cause any damage. The clip LED can be used to gauge input level to avoid audible clipping. If clipping does occur, lower the signal by turning the volume down on your guitar or reducing the Gain control. Use the Bass and Treble controls to boost or cut your signal to meet your needs. Just as on Channel 1, the Mix control blends between your dry and wet signals while the Modify control alters the nature of the selected effect. The master control is used to increase or decrease the overall output of the Acoustic Master Standard. [. . . ] Stereo Widening ­ A psycho-acoustic effect that fools the listener's ears into hearing a wider stereo image than is actually being produced. Stereo Delay ­ A delay that alternates between the left and right speakers. Drive ­ Similar to the style of distortion you get as you overdrive a tube preamp. Turn the Modify knob to get more clipping and rolloff the high frequencies. [. . . ]