User manual DYNACORD XA-3600

[. . . ] Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Use only with the cart, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for a long period of time. [. . . ] These jacks allow incorporating external third octave band or octave band EQs, compressors, limiters, de-noisers, etc. As well as with the inserts of the monaural input channels, different DIRECT OUT functions can be accomplished. 44 - FEEDBACK FILTER The feedback filter is a very narrow banded notch filter, which is only active in a range that is extremely susceptible for acoustical feedback. Several circumstances and conditions have an influence on how sensitive or insensitive your system is for acoustical feedback. The following notes are meant to assist you in avoiding feedback and you should take them into consideration even before you activate the feedback filter. Consider the microphones' different polar patterns and characteristics, when placing the monitor speakers. Do not turn up the monitor system's volume higher than actually necessary. Try to avoid extensive equalization on channels that you want to include in your monitor mix. Keep in mind, that a microphone "behaves" different when somebody stands right in front of it. If you still have the feeling that the monitor system's acoustic output is not sufficient, after considering the above mentioned precautions, you can use the FEEDBACK filter to mute the frequency that tends to generate feedback the most. Therefore, you have to perform the following steps: Increase the MON 1/2 level until the limit is reached where feedback starts. However, audio signals connected via 2TRACK IN or the DIGITAL AUDIO INTERFACE (see Play USB to 2TRACK on page 28) are still outputted, providing you with a very comfortable solution to play intermission music during performance breaks. The MASTER outputs are switched via output relay with a delay of approx. Two seconds after the mixer has been powered on, which prevents power-on noise when switching the mixer on or off. please also refer to the chapter "Setting up a standard PA system". 55 - MASTER A INSERTS L/R Stereo phone jacks for left and right channels with breaker function. the low impedance output is assigned to the tip (send) and the high impedance input (return) is assigned to the ring of the connector. This jack allows incorporating external third octave band or octave band EQs, compressors, limiters, de-noisers, etc. As well as with the inserts of the monaural input channels, different DIRECT OUT functions can be accomplished. 56 - MASTER B OUTPUTS L/R At the MASTER B OUTPUTS the L/R master audio signal is present that can be used for additional monitoring, side fill and "next door" applications, or for the connection of a delay-line or subwoofer. 58 - PRE/POST OF MASTER B When PRE is selected the MASTER B is outputted pre master faders (and, if used, pre GEQ), i. The level at the MASTER B OUTPUTS is independent from the master faders settings. [. . . ] Use the LINE CD or LINE USB control to adjust the level, so that even at loud passages the red PK LED is not lit but the green SIG present LED lights constantly. Slide the channel fader and the master faders a bit up, so that you can hear the sound through the main speakers. Starting from the center position, you can adjust the controls until the sound is to your liking. Please, keep in mind that major alteration of the EQ-setting does not necessarily result in the improvement of the overall sound. [. . . ]