User manual DIGITECH VOCALIST LIVE 3 INSTALLATION

[. . . ] Vocal Harmony & Real-Time Pitch Correction for Guitarists Owner's Manual WARNING FOR YOUR PROTECTION READ THE FOLLOWING: KEEP THESE INSTRUCTIONS HEED ALL WARNINGS FOLLOW ALL INSTRUCTIONS THE APPARATUS SHALL NOT bE ExPOSED TO DRIPPING OR SPLASHING LIqUID AND NO ObjECT FILLED WITH LIqUID, SUCH AS vASES, SHALL bE PLACED ON THE APPARATUS CLEAN ONLY WITH A DRY CLOTH. DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS, HEAT REGISTERS, STOvES, OR OTHER APPARATUS (INCLUDING AMPLIFIERS) THAT PRODUCE HEAT. UNPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME. Do not defeat the safety purpose of the polarized or grounding-type plug. [. . . ] Fully counterclockwise makes the harmonies follow the Lead Voice very tightly. In Setup Mode use the + (Voicing 1) and ­ (Patch) buttons to adjust the parameter values. 20. Patch Button This button cycles through the Vocalist Live 3's five Harmony Patches. To save harmony settings to the current Harmony Patch and A/B Parts, press and hold the Harmony Patch button until the selected Patch Number flashes. 21. Voicing Buttons There are individual Voicing controls for each of the two Harmony Voices. Pressing the Voicing button of the corresponding Harmony Voice will cycle through the Voicing options. 22. To disable a Harmony Voice, press the button until none of the LEDs is lit for that Voice. Note: The exact harmony note choice of the various Voicing shift settings depends on variables such as current note or chord, chord history and lead voice note. 7 23. Gender Display The Gender Display indicates the currently selected gender for that voice. Note that when there are no bars lit on the Gender Display, the Gender setting is disabled for the corresponding Harmony Voice. 24. Gender Buttons Separate Gender settings can be applied to each of the two Harmony Voices. By pressing the Gender button of the corresponding Harmony Voice, you can cycle through the Gender shifts from Masculine (M) to Feminine (F). 8 Rear Panel 3 6 1 2 4 5 7 8 9 10 1. Input Gain This adjusts the input level of the Lead Vocal signal for both the Mic In and Line In. The relative signal strength can be determined by the Vocal Signal Strength indicator on the front panel. 2. Mic In and Line In The Vocalist Live 3 uses a combo jack for vocal input. This jack will accept either a balanced mic-level signal on the XLR portion of the jack or a line-level signal on the ¼ portion of the jack. The ¼" jack accepts both balanced TRS and unbalanced TS inputs. 3. 48V Phantom Power Switch Pressing this switch turns on the 48V phantom power to the Mic In. With the switch in the out position, the 48V phantom power is turned off. Note: Phantom power is normally only needed with condenser microphones and should never be used with ribbon microphones. To avoid damaging the microphone, please consult your microphone documentation to ensure phantom power is applied only when appropriate. 9 4. Guitar In This ¼ unbalanced TS Guitar In connects directly to the guitar for use by musIQ® harmony generation. Note: It is important for the Vocalist Live 3 to be the first device in the guitar signal chain to ensure proper analysis of the guitar signal for harmony generation. 5. Guitar Thru The guitar signal received on the Guitar In is passed through the ¼ unbalanced TS Guitar Thru to connect to guitar effects and/or an amplifier. 6. Stereo Mono Select This switch selects whether the Outputs are stereo or mono. [. . . ] Alternatively, once you cycle past the last menu item you will leave Setup. Guitar Sensitivity Press Setup until s appears in the Display. The s will disappear after a second and either Hi or Lo will appear showing the current Guitar Sensitivity. Changing the Guitar Sensitivity will affect the level of the guitar signal in the Outputs. Harmony Footswitch Mode Press Setup until FS appears in the Display. This selects the operation mode for the Harmony footswitch. FS will disappear after a second and either (for toggle mode) or (for momentary mode) will appear. [. . . ]