User manual CANON XF205/XF200 RANGE BROCHURE BROCHURE

[. . . ] In addition to Standard mode for stationary shooting, Powered IS stabilises when zoomed in, while Dynamic IS isolates vibration when following subjects making the XF200-series suitable for handheld run-and-gun footage or use with a drone. Additional electronic correction – via surplus pixels on the sensor and the power of DIGIC – further refines the performance. Even greater reach The powerful 20x optical zoom lens used in the XF200-series is based on top-flight optical technology. [. . . ] The wide radiation angle provides brightness throughout the entire image area for more natural-looking recordings. Both green and white (default) infrared shooting options are available. Improved low light performance The 2. 91 Megapixel HD CMOS Pro sensor provides outstanding dynamic range and low-light performance thanks to an increased sensor size which maximises photosite area. Together with a highly sophisticated image processing system, image noise is reduced and sensitivity increased in low light conditions. 

 A familiar face Canon’s Face Detection technology recognises human faces by combining an algorithm based on facial features with intelligent scene analysis technology, and adjusts factors such as focus and exposure accordingly. In Face Only mode, the focus is held at the last known point where a face is detected – if the subject exits the frame, the autofocus won’t snap to a nearby unrelated object. 6 7 Superior handling and ease of use Stay in total control, whatever the shooting location Dual codec The XF200-series can record images in multiple formats to meet different workflows or output needs with a single camera. Three card slots enable simultaneous recording in MXF for broadcast (2 x CF cards) and MP4 for the web (SD card). A dedicated timecode connector can be used as both an input and output socket, enabling the co-ordination of the internal clocks of two or more camcorders or video devices. HDMI Output Both XF200-series cameras include an HDMI terminal, enabling real-time, on-site monitoring of HD video during shooting and allowing connection of low-cost external recorders for high bit rate image capture. Remote control Remote operation increases creative options in different shooting environments, allowing placement of the camera in positions where it is out of reach, such as on a crane. The Canon RC-V100 remote control unit provides cabled remote access to most of the camera’s operational and image adjustment functions. Canon RC-V100 remote control The browser-based Wi-Fi Remote function allows an image to be framed through live view, with remote control of shooting mode, exposure, white balance, aperture, gain, shutter speed, focus and zoom. Recording can be started or stopped, and metadata uploaded. Timecode, Genlock and 3G-SDI terminals allow the XF205 effortless connection to industry-standard broadcast equipment. High quality linear PCM audio Content sharing and operation Built-in Wi-Fi, supported at 2. 5 GHz and 5 GHz frequencies*, enables FTP file transfer, remote control and real-time low-bitrate streaming of proxy files to another device such as a smartphone. MP4 files can be transmitted while recording using the FTP background function – ideal for back-ups and transferring rushes. Specific camera functions can be wirelessly controlled, such as shutter speed and aperture. [. . . ] Zoom Rocker: Variable speed/Fixed speed (Fast/Normal/Slow, 16 speed level settings available in each mode); Grip zoom: Fixed speed (Fast/Normal/Slow, 16 speed level settings available in each mode) Zoom Ring: As operation speed Manual control via focus ring, automatic (Instant AF, Medium AF, TV AF, Face Detection AF, Face Only AF), Push AF Ring control; Full Auto f1. 8 - f16 58mm 12/10 8 Blade Circular Aperture Dynamic IS and Powered IS, 5 Axis image stabilisation 1. 5x; 3x; 6x Zoom ratio Focal length Minimum focus distance ND filter Zoom control Audio in Headphone output Video monitor output HDMI USB 3G-HD/SD-SDI output Time code Genlock LAN AV terminal DC input Remote Control Terminal Colour Bars EXPOSURE Zoom speed XLR inputs with 48V phantom power (x2), 3. 5mm microphone input jack 3. 5mm stereo jack YES (BNC HD-SDI, output only, XF205 only) YES (HDMI™ mini connector, output only, 1080/50p output possible) YES (Mini-B, USB 2. 0 Hi-Speed, output only) YES, selectable (BNC, output only, embedded audio and time code, XF205 only) YES (BNC, switchable input/output, XF205 only) YES (BNC, Sync in/out selectable, XF205 only) YES, Ethernet (1000BASE-T supported) 3. 5mm mini jack (output only for video and audio) YES 2. 5mm mini jack YES (SMPTE or EBU), with 1KHz Tone Standard (centre weighted), Spotlight, Backlight -2 to +2 EV Full Auto Full Auto/AGC Limit/Manual 3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 33dB -6dB / -3dB / 0dB/ 3dB / 6dB/ 12dB / 18dB / 24dB / 27dB /33dB / TUNE (0. 5 dB increments from 0 to 27 dB). 27dB maximum in Auto mode Full Auto / Manual control (Auto; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS); IR Slow Shutter) 1/18 to 1/2000 depending on frame rate 11. 25º to 360º depending on frame rate 1/3, 1/6, 1/12, 1/25 (depending on frame rate) 50i/p: 50 to 250. 51Hz; 25p: 25 to 250. 51Hz 9 (Including Wide DR) SD/SDHC memory card 6 preset profiles -50 to +50 -50 to +50 for each of R, G, B Adjustable height, width and apex -50 to +50 adjusts colour saturation in low brightness area Adjusts over exposure characteristic (Automatic, Slope, Point, Saturation) Adjustment for Detail level, Detail frequency, Coring, HV balance, Detail limit, Knee Aperture, Level Depend, Ingredient Ratio Off, Automatic, On (1 to 12) Effect Level (Low, Middle, High), Hue, Chroma, Area, Y Level Effect Level (Low, Middle, High), Hue, Chroma, Area, Y Level Normal 1 -4, Cine 1 - 2, Wide DR Matrix and Hue -18 - +18, Colour Gain -50 - +50 Focus control Iris control Aperture range Filter diameter Lens elements/groups Aperture blades Image stabilization system Digital zoom/Teleconverter RECORDING Exposure metering Exposure compensation Auto Exposure mode Auto Gain Control setting Auto Gain Control limit Gain setting SHUTTER SPEED Control Modes Shutter speed Shutter Angle Slow Shutter (SLS) Clear Scan CUSTOM PICTURE Video storage media Type 1 Compact Flash memory cards (2 card slots); SD Card x 1 Dual Format recording, Double slot (simultaneous) recording and Relay (continuous) recording possible Type UDMA4, 30MB/s or faster (40MB/s or faster for Fast/Slow recording); Recording time Recording file format Recording format SD card Class 4 or higher, Class 6 & 10 recommended for 35Mbps MP4 recording 128GB CF card: Up to 320 mins (1080/50i @ 50 Mbps) 128GB SD Card: up to 8 Hours (MP4/50P @35Mbps) Material eXchange Format (MXF) to CF card, MP4 to SD card MPEG-2 Long GOP 50Mbps CBR (4:2:2) MPEG-2 422P@HL; 35Mbps VBR (4:2:0) MPEG-2 MP@HL; 25Mbps CBR (4:2:0) MPEG-2 MP@H14 MP4: MPEG-4/AVC/H. 264 35/24/17/9/3 Mbps; All modes variable bit rate, 4:2:0 colour sampling MXF 50Mbps: 1920 x 1080/50i, 25p; 1280 x 720/50p, 25p; 35Mbps: 1920 x 1080/50i, 25p; 1440 x 1080/50i; 1280 x 720/50p, 25p; 25Mbps: 1440 x 1080/50i, 25p MP4: 35/24Mbps: 1920 x 1080: 50P/25P 17Mbps: 1280 x 720: 50P 9 Mbps: 1280 x 720: 25P 3Mbps: 640 x 360: 25P YES 720p: 12, 15, 18, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30, 32, 34, 37, 42, 45, 48, 50fps; 1080p: 12, 15, 18, 20, 21, 22, 23, 24, 25fps YES MXF recording only. Vertical/horizontal/both SD/SDHC/SDXC memory card During video recording: 1920 x 1080 in 1920 x 1080 or 1440 x 1080 mode;1280 x 720 in 1280 x 720 mode; During playback: 1920x1080 Organic LED 8. 77cm (3. 5") Organic EL (OLED) 1. 23m (approx. [. . . ]